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Monday 20 October


INTRODUCTORY THOUGHTS / THEORETICAL PREMISES

Iain Fenlon (University of Cambridge)
Keynote address


ITINERARIES OF MUSIC PRINTS (Chair: Jurij Snoj)

Marc Desmet (Jean Monnet University, Saint-Etienne)
Gallus apud Belgas. The Douai Moralia (1603) reconsidered

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Jan Baťa (Charles University in Prague / Association for Central European Cultural Studies)
Between Prague and Pirna. A story from the period before the Thirty Years’ War

Paweł Gancarczyk (Polish Academy of Sciences, Warsaw)
Italian prints in late sixteenth-century Royal Prussia. Remarks on collecting and disseminating printed music

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PERSONAL CASES (Chair: Vjera Katalinić)

Dinko Fabris (Conservatorio of Naples / University of Basilicata)
Early scores of polyphonic music in seventeenth-century Italy. Gesualdo and Molinaro

Marko Motnik (University of Music and Performing Arts, Vienna)
The transmission history of the motet Elisabeth Zachariae by Iacobus Handl-Gallus

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Michael Talbot (University of Liverpool)
A busy copyist and a shy composer. Two sides of Francesco Barsanti (c. 1690–1775)

Rudolf Rasch (University of Utrecht)
The manuscript dissemination of Boccherini’s Trios, Opus 1


CONCERT AT 8 PM


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Tuesday 21 October


MUSIC COLLECTIONS (Chair: Marc Desmet)

Tomasz Jeż (University of Warsaw)
Contrafacta of operatic arias among the Dominicans of Baroque Silesia

Darja Koter (University of Ljubljana)
Following the trail of musical manuscripts and prints belonging to the monastic orders at Ptuj

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Vjera Katalinić (Croatian Academy of Sciences and Arts)
Imported musical scores in the possession of the Gozze family in Dubrovnik

Aleš Nagode (University of Ljubljana)
Reflections of the wide world. The music archive of the Philharmonic Society in Ljubljana (1794–1804)

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CIRCULATION OF REPERTOIRES (Chair: Michael Talbot)

Lars Berglund (University of Uppsala)
Roads to the Düben Collection. The acquisition of music by Gustav Düben and his sons

Marc Niubo (Charles University in Prague)
In search of the operatic archives of Giuseppe Bustelli and Pasquale Bondini

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Maruša Zupančič (Scientific Research Centre of the Slovenian Academy of Sciences and Arts)
The journeys of violin handbooks to the Slovenian lands and their interactions in the eighteenth century

Vesna Venišnik (University of Ljubljana)
Tracing the origins of the early symphonic repertoire in Slovenia

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CASE STUDIES – VARIOUS (Chair: Metoda Kokole)


Klemen Grabnar (Scientific Research Centre of the Slovenian Academy of Sciences and Arts)
From Graz to Ljubljana? Toward discovery of the origin of the Hren Choirbooks

Ivano Cavallini (University of Palermo)
Two unknown cases of printed incidental music in the sixteenth-century Italian theatre

Radovan Škrjanc (Scientific Research Centre of the Slovenian Academy of Sciences and Arts)
P. Mauritius Pöhm and his contribution to musical life in Novo mesto during the second half of the eighteenth century